Advertising

    PTLLM

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    People that look like me.

    Are you tired of staged photography in your ads? Are you happy with all the gratuitous diversity and inclusion casting in TV commercials?  It is wonderful seeing gay couples in ads, but why always on a couch?  How about casting ads with we the people? People not trained to smile for the camera? There is some progress, we are beginning to see some larger people in TV commercials, but less that 5 percent by my count. I also recently saw a woman with freckles in The New York Times Magazine section.

    Are you one of those people who watch a hockey or football game and says to the screen or your honey “Sure are a lot of while people there?” I do.  I’ve even started a meme on social media where I comment “White much?” when diversity is totally and ridiculously white.

    Here’ my point. Casting has a new imperative. More real people. No one wheel chair a quarter. Don’t check both boxes by using a mixed race couple with two dads. Real people. Zits and all.

    All those marketers talking about authenticity need to shut up and cast like they mean it.

    Peace!

    We’re Here!

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    This is a leader board from AOL that appeared on Adweek.com.  It’s a perfect example of “We’re Here” advertising, doing little more than telling users they exist.  The creative for this baby could not have taken more than 10 minutes.  And that with 3 re-dos.  Come on AOL, you can do better than this!  Peace!

    Advertising and the commodity slurry.

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    Advertising agencies have allowed themselves to become commoditized.  In product marketing there are luxury goods, mid-priced challengers and bargain goods, but in the agency business everyone is more or less priced the same. 

    Sure, if you hire BBDO or Ogilvy your top line creative people will be more expensive than someone from the no-name middle tier but you get what you pay for and after a year or so the profitability equation seeps in and both type of shops meet in the middle. The commoditized middle.

    This is because ad agencies sell labor and stuff (pictures, video, writing, music and coding).  The valuable part – strategy – more often than not is given away.  Strategy and creative win new business but brand strategy often disappears after the contract is signed leaving creative to carry the day.  At that point middle-managers-on-the-rise start to take control.  And tactics take over. That’s when air starts seeping out of the balloon.  Tactics are commodities in the ad business. Apple wouldn’t put up with this. 

    What’s the way out?

    Ad agencies need to strengthen their commitment to strategy over tactics. They need to build incentives into their contracts tied to the strategic product.  If a client approves work that is off strategy, the client should have to fund a kicker to the fee. A – because it will cause more work.  And B – because the work will be off-piste.  Campaigns come and go…and that’s okay.  But brand strategy should not. Agencies known for their strategic work will emerge from the commodity slurry. Peace!   

    Words Are Important.

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    I was listening to a radio commercial this morning in which Joe Torre and the president of J.H. Cohen are prattling on about professionalism and category experience in the consulting and accounting business.  And it’s bad, so I’m really only listening for how poor the performances are — not really hearing the words.  And then president or announcer recites a list of fluff ending with “unmatched integrity.”  WTF!  Is anyone reading this shizz?

    Advertising Claims

    There was a time when you couldn’t just poop out claims on the radio. Or in print.  I suspect they are a little more vigilant in the TV standards and practices depts., but today you can say just about anything on the radio. Maybe that’s why advertising is so ineffective.  Anyone can say anything.  “Unmatched integrity?”

    If Coors Light can say it’s the “world’s most refreshing beer,” what does that make all the competitors?  Is someone sleeping at the switch?  Words are important; anyone in marketing will tell you that.  As we make words less important, is it any wonder that we need the algorithm to help us find our arses.  Peace.

    When is an object an ad?

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    I was running near Southards Pond the other day and saw up in a tree a nice pine board birdhouse. A friend of mine makes birdhouses using his table saw and untrimmed logs. Logs with bark still on them.  They’re amazing.  The word rustic comes to mind. I got him on Etsy and he moved some merch. The houses are so unique you want to stop running or walking and get a closer look.

    Rather than print out a color picture, laminate it and attach peel-off telephone numbers, in a pseudo guerilla marketing effort – a ham handed one, at that – why not put a house up at eye level with a subtle URL burned into the wood. Small, like a painter’s signature. Make it feel more like art than commerce. I don’t need to do an A/B test to find out which approach would work better. Ham-handed would sell some houses quickly and be removed from the trail. 

    A rustic product needs a rustic approach. Redefine how and where you put your product sale and message. Pick your spots and your tactics carefully. Kirshenbaum and Bond once did ads for Snapple where they put stickers on fresh mangos in the grocery store that read “Also available in Snapple.”

    Peace.

     

    Lee, Mike, Arnold and Amber.

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    It was reported by Stuart Elliott in today’s New York Times that Lee Jeans is using Mike Rowe as its spokesperson.  Mike Rowe, the guy from the Ford commercials, is the star of America’s Dirtiest Jobs (or whatever it’s called).  His fame comes not from the show, which probably does a 2.2 rating on Cable, but from walking around Ford showrooms and using his sing-songy manly voice. 

     The fact that Mr. Rowe is the news of the Lee Jean advertising story shows how shallow the strategic idea really is. Moreover, Lee has 3 agencies carving up the work: Arnold Worldwide, GroupM (for media), and Barkley of Kansas City for PR and didge. The total budget is about $10M and you know a chuck of that goes to Mr. Rowe. 

    So let’s recap. National challenger brand. No identifiable, differentiated brand strategy (comfort a man would love?). A spokesperson famous for selling cars. A limited “jump ball” budget shared by 3 partners.  And a product with little to talk about. About right?

    The Fix.

    Arnold is actually a good shop with breadth.  Lee should go all Joel Ewanick on itself and give them the entire business.  Then turn Amber Finlay loose, Arnold’s new head of digital strategy. I bet she could multiply the dollars.  Lee needs a little brand spanking and, if allowed, Arnold is the kind of shop that can do it. Was there a buy-out clause in Mr. Rowe’s contract?  Peace!

    HP TouchPad Ads Off…and Running.

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    Hewlett-Packard is launching a new ad campaign today for the TouchPad tablet and it sounds rather messy.  I read about it in The New York Times ad column and hope it’s just poor reporting. The story was written by Elizabeth Olson.

    Here’s my strategic take. 

    • HP is late to market with the tablet and needs to get noticed.
    • HP has a new operating system (OS), which will drive all its hardware devices. Called webOS, it will integrate their smartphones, PCs, printers, tablets and soon other devices and appliances.  It’s a cool promise, but s complicated story.
    • Printers are a big franchise and potential differentiator, so HP wants to make them more relevant.
    • The purchase of Palm and the growth of the smartphone market has made the mobile business a critical growth component.
    • HP is not a big brand with Millennials and teens.

    That is a lot of stuff to convey.  If you have to say 5 things, you’ve said nothing.

    The NY Times story starts out talking about a new commercial with Russell Brand. I’m feeling it.  A little old school, but I’m feeling it. Then it says there are executions with stars from iCarly and Glee. The future holds spots/vids from Lebron James and Jay-Z and Lady Gaga did some work in May but has not re-upped.  Add to that, all the social media contests (100 free TouchPads) and Twitter tchotch and you begin to see how it’s going to be hard to find the idea. Goodby Silverstein is a great  ad shop, but it doesn’t sound as if it hasn’t corralled this herd of goats. 

    My head is spinning.  I hope it is just a lot of info, not well organized, by a reporter from another newspaper beat. And I’m no Leo Apotheker. Peace!

     

    Paper the Walls.

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    Many years ago I learned a trick about advertising from Brendan Ryan, president of FCB/Leber Katz, in NYC. One day he asked the AT&T Network Systems account team to paper the walls with the current campaign. The headline for each as we “Are You Ready.” Network Systems sold the 5E switches to phone companies that powered American communications. So paper the walls we did.

    Mr. Ryan walked around the plush conference room reading sub-heads, looking at visual and dashing through copy here and there. He pointed to campaign outliers and confirmed what he thought to be the idea. Neat trick. Neat way to level-set the idea.

    Fast forward 25 years to an era when communications manifest across more channels than we ever perceived, some with control, many with none. If you were to paper the walls with the myriad comms we generate today, you’d have a messy, messy room. A walk around that room  would remind you why an “organizing principle for product, experience and messaging” is critical. Otherwise known as a brand strategy.

    So me droogies, paper your walls with your internal and external comms and see what-ith you spew-ith into the consumer realm.

    Peace.

     

    Salesmanship vs. Packaging.

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    Albert Lasker, a seminal advertising figure and CEO of Lord and Thomas (a predecessor agency to FCB) and a copywriter by the name of John E. Kennedy had a discussion in 1905 about a Kennedy theory suggesting advertising is no more than “salesmanship in print.”  Smart dudes Kennedy and Lasker.

    If the goal of salesmanship is sales and the goal of advertising is sales, then shouldn’t this notion still be applicable? Sure. But more often than not, advertising today is a loose federation of benefits and features packed together in designer wrapping paper, with a promotional bow.

    The sign of a good salesperson is you believe them, trust them and are convinced by their expertise. You may remember the salesperson but you are more apt to remember the product. Similarly, the litmus of a good ad is its ability to be remembered for the product selling idea, not the ad execution.  And to be remembered the day after it was seen.

    Messrs. Lasker and Kennedy were right back in the day and they are even more right today. They knew the best ads are not about “me, me, me,” but about the consumer. Sales people know this, ad craftsmen often forget. When done correctly, advertising in print, broadcast or digital is salesmanship not packaging. Peace!

    Insure Product Meaning

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    Yesterday I Tweeted the question “Does anyone know what the Discount Double Check is?” Everyone has heard of it; it’s all over TV.  Especially on NFL football. Aaron Rodger’s who mimes putting on a championship belt after touchdowns has sold the little dance to Allstate Insurance who has paired it with some double check insurance option and uses that as a differentiator.  I’m so interested in the humor (or lack of it), I’ve yet to figure out what the product feature means. Perhaps you do. What are we double checking and how does it work? 

    It only took AFLAC half a decade to move beyond its quacking name-onic brand device until the advertising explained to customers that AFLAC is insurance that pays out if you are hurt on the job.   

    In both cases we knew what the company IS but not what the product DOES. They both fail the Is-Does test. The first test of marketers, and I know it sounds fundamental and silly, is to get the Is-Does out of the way. So all you self-described lifestyle brands out there, that’s way too inside baseball. It’s too markobabble. Get your Is-Does right.

    Peace.